In 1983, Anne Teresa De Keersmaeker firmly put her newly formed dance company Rosas on the international map with Rosas danst Rosas. Four dancers dance themselves, again and again. For this revival, an entirely new, young cast will dance Rosas danst Rosas.

For his Concertos, the born performer Ivo Dimchev always invites a different musician for a voice improvisation in the form of a concert. At the Kaaitheater, he performs alongside the composer and pianist Lea Petra, who has been highly praised for her tango transcriptions for piano.

What do we actually mean when we say ‘we’? Who are we and how do we determine who belongs to this group – and most importantly, who doesn’t? With this new production, Laura van Dolron lays bare the delight and the danger inherent in our sense of who ‘we’ are. Expect a performance that first confronts and then – in true Dolron fashion – heals.

Claire Croizé has borrowed her title, EVOL, from the eponymous Sonic Youth album. It is also LOVE spelt backwards, as well as being an abbreviation of ‘evolution’. Both are central concepts in this tender creation set to songs by David Bowie.

What is nature saying to us? Myriam Van Imschoot carried out research in a zoo, lay down beside a motorway with a trilling tuning fork, and discovered birds in the woods whose songs imitated chainsaws and ring tones. What Nature Says is a radiophonic performance that slowly calls into question your ideas about human beings, nature and machines.

THIS SHOW HAS BEEN CANCELLED. For sixty years, the artistic careers of Valda Setterfield and Gus Solomons Jr. were linked to the most prominent artists and artistic developments. Eszter Salamon convinced the now 82-year old Setterfield and the 76-year old Solomon to appear on stage.

Every age has its own wonders of the world. An idea of the impossible that gets built anyway, bigger and more impressive than anything that preceded it. In 7, Radouan Mriziga juxtaposes two benchmarks: the constructed world, built to impress, and the ultimate wonder of the world, the human body itself.

What happens when Shakespeare’s rhythmic and poetic visual language becomes dance? Golden Hours (As you like it) – an encounter between Brian Eno and Shakespeare – draws you into a mildly ironic world, where the characters speak a language that doesn’t need deciphering to be grasped, yet isn’t pantomime.

In one more thing, Benjamin Verdonck conjures up a 60cm x 60cm x 60cm-sized miniature theatre out of a suitcase. He assembles an abstract graphic fantasy that glides by in a diorama of a single square meter. The result is a mobile, musical, miniature fifteen-minute performance for fifteen people.