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Agnes Quackels
artistic coordination

Barbara Van Lindt
artistic coordination

Maria Dogahe
programmer

Charlotte Dhont
production & artistic administration

Erika Evbuomwan
production

Margot Quix
production & artistic administration

Nelson Polfliet
coordination production & planning

Olga Rutayisire
production & planning

Frank Vandezande
stage technician

Geni Diez
stage technician

Godfried Verschaffel
deputy technical coordination

Jan Van Gijsel
coordination technique, production & planning

Louise Crabbe
stage technician

Ruben Wolfs
stage technician

Thibault Rottiers
stage technician

Dagmar Dirkx
communication & publications

David Pierre
reception

Ines Fransen Mukantagara
audience development

Ini Vandervorst
front of house

Jef Van Den Abbeele
ticketing & data

Jessica Gysel
coordination team public & communication

Jonas Maes
digital communication & partnerships

Lus Baleci
reception

Maja Gmur 
audience development

Mara Ittel 
digital & social content creator

Titane Michiels
ticketing & communication

SERENAI — Sarah Vermeulen (NL/EN/DE)
sarah-claire@serenai.eu
+32 474 85 36 37

NAKAMI — Laurence Morel (FR)
laurence@nakami.be
‭+32 473 68 32 38‬

Laura Huysmans
bookkeeping

Nadia El-Boubsi
human resources

Valerie Vernimme
coordination finance & support

William Vanhassel
office management

Ann Bollen
coordination infrastructure & building management

Fatima Raklih
maintenance manager

Gus De Winter
maintenance

Hannah Gordts
infrastructure & building management

Mohamed Abbas
maintenance

Oumou Diallo
maintenance

Serpil Akgün
maintenance

Ugur Ayhan
administration infrastructure & building management

Jonas Maes
coordination ICT

Agnes Quackels
general coordination

Barbara Van Lindt
general coordination

Valerie Vernimme
financial coordination

An-Marie Lambrechts
administrator

Bart Claes
secretary

Greet Claes
governor commissioner

Jutta Buyse
governor commissioner

Kim De Weerdt
administrator

Laura Mwanambuka
administrator

Liesbeth De Ridder
administrator

Marc Fauconnier
administrator

Marleen Wynants
administrator

Margot Luyckfasseel
administrator

Peter De Jonge
chairman of executive committee

Philippe Madry
administrator

Romanie Peters
president

Shanice Wanjiku
administrator

Thibaut Princen
administrator

Dirk Reynders
Herman Croux
Mia Vaerman
Pascal Dormal
members

Jobs

We don't have any job openings at the moment.
Free applications can be sent to job@kaaitheater.be.

About Kaaitheater

Kaaitheater is a house for dance, theatre, performance and conversations – firmly anchored in Brussels.

Founded in 1977 as a pioneering institution for the living arts, we grow into a platform for both artists from the ‘Flemish Wave’ as well as new generations of Belgian and international choreographers and performers.

Driven by the question How To Be Many?  Kaaitheater explores new strategies for participation and mediation, in order to guide new audiences into the multifaceted contemporary living arts. These make room for a broad spectrum of visitors, artists, stories and perspectives, and cross many neighbourhoods and locations in and around Brussels.

Between 2022 and 2026 our cherished building at Sainctelettesquare is being renovated from the bottom up. In 2027 we’ll move back into our headquarters, with ample of new space. A second room, a city balcony and spaces for artists and public will resonate with the new urban artpool around the canal.

Until then you can find us at de Kriekelaar in Schaerbeek, where we have our temporary office and also programme smaller events. Of course we keep presenting at Kaaistudios; the rest of our programme you can find at the many theatres and partners in and around Brussels, with whom we collaborate the coming years.

How to be many?

The question How to Be Many? has been central to the Kaaitheater’s work since 2019. It acts as a backdrop to (re)assess what we do and how we do it. It’s our cherished problem—the one we’ll never fully solve but want to keep close. The question mark reminds us that the work is never done. 

How to Be Many? stems from an ongoing reflection within the performing arts field: Who has access to our cultural institutions and the power they represent—whether on stage, in the audience, or behind the scenes? 

In that sense, this question is less about representation than it is about agency. It is the driving force behind our work, helping us reflect on the (re)distribution of power, space, resources, entitlement, and the right to participate in decision-making processes. 

Who claims these rights? Who takes responsibility? Who invites whom? Who speaks—and about what? And who is still missing? 

How to Be Many? In our program 

In this exercise, we aim to open up our platform to other voices and bodies within our programme. This means engaging in various forms of co-authorship – a notion that we understand as sharing agency with people outside the organisation to shape some part of our programme. Artists, activists or collectives present programs that reflect both their own societal agenda's and esthetical references, as well as their wish to share it with an audience. 

These people are already taking a certain responsibility in the cultural offer in Brussels. In this way, this practice reflects our commitment to building a shared program through dialogue and trust, one that challenges our assumptions and broadens our perspective. It is also a way, for us, of continuously questioning how we can make room and amplify the voice of others and how we can more fairly and structurally share our spaces, resources, and forms of power. 

How to Be Many? In our audience 

Kaaitheater is committed to a long-term trajectory so to better understand the mechanisms that either facilitate or block access to our theatre. We recognise that systemic discrimination—based, among other things, on race, income, gender, education, and ability, ... —deeply shapes who feels welcome, and who doesn’t. 

How to Be Many? is our lens to question these blind spots and to experiment with both small and bigger gestures that make our institution more accessible to a broader spectrum of people. Beyond working on a program that aims at representing a larger part of our city and society, we’ve introduced a Pay What You Can ticketing system (since 2021), allowing visitors to set their own price based on their self-assessed financial means. 

We’re also working to reduce barriers for people with physical disabilities and for neurodivergent visitors (see our accessibility page for more info). 

How to Be Many? In our team 

Participating meaningfully in an institution requires clear and transparent organizational structures, decision-making processes, and clear methods of feedback and remediation. We are striving to find the right balance between supportive frameworks, fixed structures and the flexibility needed to remain responsive and adaptive to the needs and capacities of everyone involved. 

We are actively working to make our team better reflect the diversity of the city we inhabit, and we are committed to creating a hospitable work environment for a wide range of people, in all their possible differences. This includes ongoing efforts to address structural forms of discrimination through recurring workshops focused on race, gender, neurodiversity, and more, as well as through group and individual coaching. 

Our (temporary) nomadic existence has also opened up space for learning.  As the renovated Kaaitheater gradually takes shape, we imagine as many futures as possible where that question mark remains present.