Juli Apponen exposes an autobiography of her body. Inevitably, it is about identity, sex and gender. The result is a collage of unspeakable pain, anatomical reports of far too many operations, and bureaucratic adventures. Who or what determines who or what you are? This compelling lecture performance will satisfy your curiosity, perhaps even more than you would actually like.

After a series of solos, Volmir Cordeiro has created his first work for four dancers. He has created a dance that aims to express the physical movement and behaviour of the eye. The interior, the hidden and even the pre-human and cannibalistic is exposed in this intense, almost obsessive inquiry into dance, and into the ineffable itself.

Tibaldus is presenting Yvonne, Princess of Burgundy by the Polish avant-garde author Witold Gombrowicz. The performance area is a circle on the stage. As a viewer, you enter this arena in which a veritable battle unfolds. In the hands of these young performers, Gombrowicz’s absurd universe gets a fresh and playful update!

Cock, Cock… Who's There? is an unsettling and gripping report by a young woman who researches intimacy and violence. Armed with her camera, Samira Elagoz sheds light on the online manipulation of bodies, while cleverly subverting typical gender dynamics on the internet.

Step into a playful and probing social laboratory. STRANGER is a life-sized board game that explores first impressions. Can you share with others the thoughts you have when you see an unknown face?

In a stimulating theatrical game, you as the audience explore the limits of the imaginable, beyond what is true, good, or politically correct. Can the most cheerful, strange, improbable, and wild fantasies influence the world that we share together? The stakes in the game? To make time and space for our own imagination.

Ligia Lewis turns to the colour red – in between love and rage – while asking questions about (re)presentation, abstraction, and the limits of signification. Three performers push their bodies against the boundaries of the theatre while simultaneously showing their humble relationship with it. Exhaustion reaches increasingly high levels on a journey to the stage's essential matter: black. Lewis was awarded the prestigious Bessie award for minor matter.

The moon is the moon is the moon deconstructs the structure of a dance trio and exposes its building blocks. Just like the preparatory sketches for a painting, the performance begins with various perspectives and movements. The individual layers that you discover in the choreography invite you to see things in new ways.

As a new voice within the contemporary Indonesian dance landscape, Eko Supriyanto explores the relationship between Javanese cultural heritage and the rhythm of the underwater world – a world without gravity where new perspectives emerge. He draws from his classical dance training, his diving experience, and the Javanese agricultural tradition of carving in the ground.