#hightech

Technology dominates everything. Including these productions

Mădălina Dan & Agata Siniarska

Mothers of Steel

performance

Mothers of Steel
Mothers of Steel

performance

Thu 05.12 - Fri 06.12.19

During a meditative crying marathon that lasts almost an hour, two futuristic female characters question the mechanisms that turn personal emotions into political phenomena. In a choreography that uses video and large sheets of paper – simultaneously protest signs and drying laundry – their tears of weakness become an act of political power.

Kris Verdonck / A Two Dogs Company

Act

theatre installation

Act. Johan Leysen plays Beckett
Act. Johan Leysen plays Beckett

theatre

Thu 13.02 - Sat 15.02.20

This curated Beckett evening presents a surprising mix of forms: a monologue by Johan Leysen; an academic lecture about memory, neurology, machines and consciousness; a video installation with an immersive (post-)apocalyptic landscape; and a concert. Through this combination, Kris Verdonck explores a fascination that he shares with Beckett, namely technology and the increasing conflict between humans and machines.

Doris Uhlich

Every Body Electric [medium]

dance

Every Body Electric [medium]
Every Body Electric [medium]

dance

Thu 02.04.20

People with physical disabilities are often more associated with stationariness than with movement. In Every Body Electric, Doris Uhlich refutes this idea with vitality and vibrancy. You can expect a fascinating dialogue between the human and the mechanical in which very personal dance styles vary from explosive to gently poetic.

Encyclopédie de la parole

Suite n° 4

theatre music

Suite n° 4
Suite n° 4

theatre

Tue 19.05 - Sun 24.05.20

In the first part of Suite n° 4, recognizable and anonymous voices overlap as though they were coming from different acoustic spaces. In the second part, the voices are accompanied by eight musicians from Ictus. The Encyclopédie de la parole collective presents a performance about absence, like an opera without singers or a theatre without actors. For 150 minutes, you hear a thousand concrete situations in more than 30 languages.