programme | Kaaitheater

The Romeo

Trajal Harrell / Zürich Dance Ensemble

Trajal Harrell — Orpheas Emirzas

S’interroger sur la sérophobie, la migration et la race à travers les récits VIH

Aids, archives, and arts assemblies in Belgium

Print in purple of a tapestry reading 'aids who?' — © Emmanuel Cortés

Spelling Spectacle

Ingrid Berger Myhre

17—18.12.2024

3 women — Tale Hendnes

Exit Above

Anne Teresa De Keersmaeker / Meskerem Mees / Jean-Marie Aerts / Carlos Garbin / Rosas

13—15.01.2025

Rosas Exit Above — Anne Van Aerschot

Have a Safe Travel

Eli Mathieu-Bustos

17—18.01.2025

Black person bending sideway on stage — Pauline Arnould

The Concretely WE: Voices From Within the Camp

Mohamed-Ali Ltaief

23—24.01.2025

person standing under a huge horn reading its smartphone while another person standing right of him is holding his face with one hand — Alessandro Sala (courtesy Centrale Fies)

Werken en dagen

FC Bergman

24—25.01.2025

A man whose face is illuminated by the fire of an industrial machine — © Kurt Van der Elst

More or Less Human

Marcos Simões

29—30.01.2025

patchwork — Marcos Simões

Inconditionnelles (Hopelessly Devoted)

Dorothée Munyaneza

30—31.01.2025

Dorothée lying on the floor, which is covered in text, with a person standing in the background surrounded by red lighting — © Christophe Raynaud de Lage

The Tamilization of Ahilan Ratnamohan

Ahilan Ratnamohan

06—07.02.2025

familie met kinderen — ©Ahilan Ratnamohan

Le Sacre du Printemps

Michiel Vandevelde / Theater Neumarkt

07—08.02.2025

man and woman holding each other's head into their hands — Philip Frowein

Rectum Crocodile

Marvin M'toumo

13—14.02.2025

Three figures on stage — Albane Durand-Viel

MONUMENT 0.10: The Living Monument

Eszter Salamon / carte blanche

20—22.02.2025

Monument 0.10/ The Living Monument — Øystein Haara

Perzen. Triomf van Empathie

Chokri Ben Chikha & Action Zoo Humain

Woman with closed eyes — Kurt Van Der Elst

Retina Maneuver

Ping-Hsiang Wang / TATWERK | PERFORMATIVE FORSCHUNG

21—22.02.2025

oogbol presentatie — ©Annabelle Chih