‘How are you now?’ It is with this question that Rabot 2 begins. In 2010, Simon Allemeersch installed his workshop in one of the dilapidated social housing blocks in the Rabot neighbourhood in Ghent. Now he has made Rabot 2, in which he looks up the people he collaborated with at the time. Starting from individual testimonials, he zooms out to a bigger story about private and public wealth.

From South Africa to Jamaica, from the United States to Angola... The young Brazilian choreographer Ana Pi gives a tour of the world of urban dance, through ten cities and ten different types of dance. Each street dance is linked to a city, its violence and injustice, but also to vibrant energy. Ana Pi made Tour du monde des danses urbaines in 2014. Since then, she has presented the play more than 400 times around the world, for audiences of all ages.

Two female, identical performers move through the theatre space. The scene evokes the 'Tropical Bungalow', a dwelling installed by the colonial in Congo. SPIRIT CAPITAL transforms the stage into a ritualised place and invites you on a spatial and mental journey where historically oppressed bodies can shed the chains of history and liberate themselves through movement, words, sounds, music and outward transformations.

How can you create a safe space in public space for the exchange of various forms of repressed or underexposed knowledge? This is the basic principle of bodies of knowledge (BOK), Sarah Vanhee's alternative school, that stays in the same spot in the city for a few weeks or months, and then moves again. From September 18, BOK will be installed in the centre of Brussels for three months. You can take part in a free programme every week, whether it be a walk, a workshop, a game or a read-aloud.

This last session in our Series of More-Than-Human Encounters is entirely devoted to oceanic storytelling in kinship with hydrofeminism. This form of feminism is particularly sensitive towards watery creatures and our solidarity with them. It is also inspired by music and song-making practice – songings –, believing them to be a means of interspecies community creation and resistance.