#BigNames

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Anne Teresa De Keersmaeker / Rosas

Mystery Sonatas / For Rosa

dance music

Mystery Sonatas / For Rosa
Mystery Sonatas / For Rosa
Koninklijk Circus
Thu 23.06 - Sun 26.06.22

[The performance on Sunday at 15:00 was cancelled due to covid. Tickets will be refunded] Anne Teresa De Keersmaeker continues her choreographic journey with the fifteen virtuoso Mystery Sonatas, the best-known compositions by Heinrich Ignaz Franz Biber. These intrinsically religious and narrative sonatas are also a warm invitation to dance, thanks to the musical dance forms such as Gigues, Allemandes and Courantes. De Keersmaeker immersed herself in the mystical and geometrical wealth of this music and made the Sonatas her own in a choreography for six dancers.

Anne Teresa De Keersmaeker/Rosas

Dark Red

dance exhibition

Dark Red
Dark Red
Rosas Performance Space
Sat 23.04 - Sun 08.05.22

What would it mean for choreography to perform as an exhibition? In 2021, De Keersmaeker was invited by Fondation Beyeler to create Dark Red—Beyeler, a ‘live installation’ where the dancing body faced the sculptural work of Auguste Rodin and Hans Arp

Meg Stuart/Damaged Goods

Solos and duets

dance performance

Solos and duets
Solos and duets
Kaaitheater
Thu 21.04 - Sat 23.04.22

You see writhing bodies in a desolate landscape, hands and a head moving to the rhythm of an explosive drum solo, and a playful duet in which two women take control of the spectator's gaze. Meg Stuart creates an evening in which four dancers perform existing solos and duets, combined with fragments from full-length performances. All to live music. An excellent opportunity to journey through Stuart's oeuvre, which continues to grow, live and transform.

Chokri Ben Chikha & Action Zoo Humain

Flemish Primitives

theatre

Flemish Primitives
Flemish Primitives
Kaaitheater
Thu 24.03 - Fri 25.03.22

In Flemish Primitives, Action Zoo Humain shines a new light on flashy talent shows and the social engineering of success. Under the watchful eye of the public, eight young Flemish people – who only share a desire for success and a migrant background – undergo a series of experiments. Who perpetuates the belief in the survival of the fittest?

Maatschappij Discordia

Weiblicher Akt 11: Love Sontag

theatre

Weiblicher Akt 11: Love Sontag
Weiblicher Akt 11: Love Sontag
Kaaistudio's
Wed 16.03 - Thu 17.03.22

What appeals to our imaginations more and is yet as ineffable and as incomprehensible as love? Nobody knows exactly what it is and yet, to a great extent, it determines our lives. Following Marguerite Duras and Elfriede Jelinek, Maatschappij Discordia is consulting Susan Sontag (1933-2004) .Is ‘love’ only a figment that deludes us en masse? Does real love exist?

DE HOE & De Nwe Tijd

DAVID of hoe we ons bedacht hebben

theatre

DAVID of hoe we ons bedacht hebben
DAVID of hoe we ons bedacht hebben
Kaaitheater
Tue 15.02 - Wed 16.02.22

How to live without putting a bullet through your head before you turn fifty? Three companies are making the same number of performances about the person and work of the American cult author David Foster Wallace. The starting point is the author's biography, his addiction, genius, insecurity, depression and hyper-consciousness. The first part, DAVID of hoe we ons bedacht hebben (DAVID or how we imagined ourselves), explores how to live a meaningful life, a life that is connected to others and to the world.

ITA / Ivo van Hove

Wie heeft mijn vader vermoord

theatre

Wie heeft mijn vader vermoord
Wie heeft mijn vader vermoord
Kaaitheater
Fri 11.02 - Sat 12.02.22

The young writer Édouard Louis is the greatest literary sensation in France since Michel Houellebecq. Ivo van Hove adapted his novel Who killed my father into a monologue, especially for Hans Kesting. It is a gripping story about a father who at fifty is a physical and mental wreck from working in the heavy industry of northern France. Édouard Louis also writes about how, as a young gay man, he was damned to be an outcast by his own working-class family. A bold and brilliant text.

tg STAN & de Roovers

Infidèles

theatre

Infidèles
Infidèles
Kaaitheater
Thu 13.01 - Sat 15.01.22

Infidèles is a performance about a love triangle that ended disastrously, and about the impact of lies and deceit. In this homage to Ingmar Bergman, four actors present a tragedy about ordinary life which exposes human aspects all too familiar. All this is presented in the well-known STAN style: with the necessary lightness and detachment. In 2018, Infidèles premiered in a French language version – now you can experience the show in Dutch for the first time.

Anne Teresa De Keersmaeker/Rosas & Ictus

Drumming (live)

dance

Drumming (live)
Drumming (live)
Kaaitheater
Tue 14.12 - Sun 19.12.21

Drumming (1998) is returning to Kaaitheater! It’s one of Anne Teresa De Keersmaeker’s most iconic choreographies, written to the eponymous, minimalistic percussion score by Steve Reich. A wave of pure dance and pure sound, a vortex of vital energy. For this run of Drumming, the music is performed live by Ictus: don't let this unique opportunity pass you by.

Dans voor actrice (Jolente De Keersmaeker)

Jérôme Bel & tg STAN

dance

Jérôme Bel & tg STAN
Jérôme Bel & tg STAN
Kaaitheater
Wed 01.12 - Thu 02.12.21

For this performance, choreographer Jérôme Bel asked actress Jolente de Keersmaeker not to play any of her usual roles from the theatre repertoire but to perform pieces from modern dance. Yet Dance for an Actress is not just a dance performance. As Jolente de Keermaeker still has some way to being a professional dancer, she throws all the usual formality of dance overboard. Expect an evening as dancing as it is theatrical on the cutting edge of movement and words, of body and imagination.

Manuela Infante

How to Turn to Stone

theatre

How to Turn to Stone
How to Turn to Stone
Kaaitheater
Thu 25.11 - Fri 26.11.21

A play that behaves like a stone: what would that look like? What form would a 'mineral' representation take? In How to Turn to Stone, stones, as 'non-living' things, are models for a different kind of resistance. Manuela Infante brings pieces of eroded stories together. The fragments become landscapes and she stacks those landscapes like geological rock layers. This creates a 'mineral' representation telling you something about what is written in stones, and what stones have written in us.

Gisèle Vienne

L’Etang

theatre

L’Etang
L’Etang
Kaaitheater
Thu 18.11 - Sat 20.11.21

Gisèle Vienne returns to Kaaitheater with a text adaptation by the Swiss writer Robert Walser. L'Etang (the pond) is a musical theatre play about a child who feels unloved by his mother. At the height of his despair and as an ultimate attempt to win her love, he feigns suicide in a pond. The children and teenagers of the village are embodied by seven human-sized dolls, Stephen O'Malley from cult group SUN O))) is once more responsible for the music.

Jan Decorte en Sigrid Vinks / Bloet

BLOOD LTD by Bloet

theatre

BLOOD LTD by Bloet
BLOOD LTD by Bloet
Kaaitheater
Tue 09.11 - Wed 10.11.21

In the coming years, Jan Decorte and Sigrid Vinks will focus on collaborating with young performers. BLOOD LTD by Bloet is a project with the density of a black hole. All themes, visions, opinions, dogmas and manifestos are swallowed up and evolve from a meaningless zero to a meaningful chaos. Jan Decorte and Sigrid Vinks, together with Ika Schwander and Oumar Dicko, create their own theatre language: light, whispering and fleeting.

Needcompany

Billy’s Violence

theatre

Billy’s Violence
Billy’s Violence
Kaaitheater
Fri 29.10 - Sat 30.10.21

Shakespeare is the most widely read and performed author in Western literary history. Yet many of the Bard's texts are almost unplayable because of the violence, horror, racism and misogyny. What does violence mean in art today? For Billy's Violence, Victor Afung Lauwers researched ten tragedies by Shakespeare and rewrote them into violently loving, intimate dialogues in which women are central. You may never have seen Shakespeare this boned and dusted.

Trajal Harrell

The Köln Concert

dance

The Köln Concert
The Köln Concert
Kaaitheater
Fri 08.10 - Sat 09.10.21

Trajal Harrell has come up with a plan he has been pursuing for years: a choreography to Keith Jarrett’s Köln Concert, the most successful piano solo recording of all time. The Köln Concert seeks a language that allows for closeness despite the times of physical distancing. The joint experience of tender, vulnerable, dancing people, is a reminder of the need to remain close to each other despite everything.