Anne Teresa De Keersmaeker / Rosas [BE]

Fase Four Movements to the Music of Steve Reich

Fase
Fase

08.11 – 25.11.2018

Fase (1982) is the breakthrough production by Anne Teresa De Keersmaeker and is probably her most frequently performed choreography. Set to four repetitive compositions by the American minimalist Steve Reich, Fase comprises three duets and a solo. Both the music and the dance employ the principle of phase shifting: tiny variations make movements that are initially perfectly synchronous gradually slip and slide, resulting in a complex interplay of continuously shifting forms and patterns. The movements are executed so perfectly that they almost appear mechanical, but they are nevertheless strangely moving. Having always danced Fase herself, Anne Teresa De Keersmaeker is passing it on to a new generation of dancers for the first time in the work’s history.

‘The Greatest Step of Them All’ - an interview with Anne Teresa De Keersmaeker by Floor Keersmaekers


choreography Anne Teresa De Keersmaeker | danced by Yuika Hashimoto, Laura Maria Poletti/Laura Bachman, Soa Ratsifandrihana (alternating) | created with Michèle Anne De Mey, Anne Teresa De Keersmaeker | music Steve Reich: Piano Phase (1967), Come Out (1966), Violin Phase (1967), Clapping Music (1972) | light design Remon Fromont | costumes Martine André/Anne Teresa De Keersmaeker | artistic coordination and planning Anne Van Aerschot | technical management Joris Erven | technicians Max Adams, Joris De Bolle, Quinten Maes, Michael Smets | world premiere
18/03/1982 Beursschouwburg | production 1982 Schaamte vzw, Avila vzw | co-production 2019 De Munt / La Monnaie, Sadler's Wells, Les Théâtres de la Ville de Luxembourg | Rosas is supported by the Flemish Community

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Rosas & B’Rock Orchestra

The Six Brandenburg Concertos

dance

The Six Brandenburg Concertos
The Six Brandenburg Concertos
De Munt/La Monnaie
Sat 05.01 - Wed 09.01.19

During her 1980 stay in New York, in which she first rehearsed her celebrated Violin Phase to the music of Steve Reich, the only other recording playing in Anne Teresa De Keersmaeker’s studio was the Brandenburg Concertos by Bach. After more than 35 years, she is pursuing her work with this music, joined by sixteen dancers from various Rosas generations and accompanied live by the Baroque ensemble B’Rock.

Rosas & tg STAN

Quartett

theatre dance

Quartett
Quartett
Kaaitheater
Wed 23.01 - Sat 26.01.19

As the world stands on the verge of collapse, a man and a woman exchange a razor-sharp dialogue based on a caustic text by Heiner Müller. Frank Vercruyssen from tg STAN and Cynthia Loemij from Rosas share the stage and explore the essence of the relationship between words and movement. Again at Kaaitheater after 20 years!

Anne Teresa De Keersmaeker / Rosas

Bartók/Beethoven/Schönberg

dance music

Bartók/Beethoven/Schönberg
Bartók/Beethoven/Schönberg
Kaaitheater
Wed 19.06 - Thu 27.06.19

This special repertory evening will present three early works by Anne Teresa De Keersmaeker, each of which is based on a piece of classical music. The programme features a combative choreography set to the layered rhythms and harmonies of Bartók’s Quartet n°4, a group piece that defies gravity and depicts the ingenious counterpoint in Beethoven’s Die Grosse Fuge, and a shamelessly romantic duet set to Schönberg’s Verklärte Nacht. Ictus and the Brussels Philharmonic will accompany the pieces live especially for the Brussels series.