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Would you like to discuss the dance performances you have seen in an informal setting? Are you curious about the experiences of others or would you like to share your experiences? Welcome to LET’S TALK (ABOUT DANCE)! A moderator provides a forum for you and a small group of audience members to share your perspective on dance. What have you seen and what did it mean to you?

‘It is incredible how your experience of the performance changes completely because of what somebody else says about it. Or how you start seeing or appreciating elements that you hadn’t really noticed before.’

 

Programme 20/21 will be announced after Summer

>>> after the performance, in the Kaaicafé

[CANCELLED] A Love Supreme

Salva Sanchis & Anne Teresa De Keersmaeker / Rosas

dance
06—10.06.2018
Kaaitheater

Unfortunately, we have to cancel all shows due to an injury of one of the dancers.

In 2017, Salva Sanchis and Anne Teresa De Keersmaeker adapted A Love Supreme with four young, male dancers. This exceptionally vital production was one of the highlights of the last season, and was promptly selected for the TheaterFestival. Join the dancers, and abandon yourself once again to Coltrane’s spiritual ode to divine love!

Tafukt

Radouan Mriziga

dance
08—12.05.2020
Kaaitheater

Please note: this show has been cancelled to help contain the spread of the new coronavirus. 

Tafukt/The Sun/Athena is a dance solo and the first part of a trilogy focused on epistemologies and mythologies of the Tamazigh – the indigenous population of Northern Africa. How can we challenge the current canon? Can performance function as a tool of resistance? Radouan Mriziga seeks to create a space for reflections on the past in order to strive for a more inclusive future.

infini

Boris Charmatz

dance
25—28.03.2020
Kaaitheater

Warning: this show is cancelled to help contain the spread of the new coronavirus. 

For centuries, dancers have been counting their steps to 4, 6 or 8. But what if dancers were to count to infinity? Boris Charmatz: ‘I have always hated counting while dancing. In this piece, we count, speak and sing not only so that we can dance, but first and foremost, so that our minds can wander even more.’ In a world that is being increasingly enslaved by algorithms, Charmatz offers a moment of infinity.