Claire Croizé engages with two of her favourite sources of inspiration: Bach and Rilke. She places both masters in the hands of Matteo Fargion, the British composer and multi-instrumentalist. They have not created slavish interpretations of Bach and Rilke, but rather opted for a playful, somewhat unruly tribute.

Which movements or fragments of movements does a dancer remember after years of training and performance experience? In the first part of this solo for dancer Bahar Temiz, Vanrunxt explores the power and the possible significance of movement through memory. In the second part, Bahar fights a decelerated ‘disco-drone’: a scene in one flash of light that does not stop.

A fluctuating constellation of bodies heaves incessantly. Be swept away by Figure a Sea: a sea of possibilities and a meditation about looking at music, at volatility, at synchronous and unexpected moments. The choreography for 21 dancers is both technically immaculate and distinctly minimalist. Dance icon Deborah Hay challenges the intelligence, beauty, and humour of the Cullberg dancers. The result is 60 minutes of sublime purity, beauty, and physicality.

How can dance, choreography, performance, and architecture create a new kind of space together? During Performatik19, choreographer and Kaaitheater artist-in-residence Radouan Mriziga will install a residency project at KANAL – Centre Pompidou. He is inviting dance and architecture students to share their knowledge and practice.