music

Three performers spend three quarters of an hour turning around their own axis – a movement that in Sufi ceremonies is thought to lead to religious euphoria. In Miet Warlop’s version, it becomes an experiment on the fine line between maintaining and losing control. It is a combination of swirling dance, recital and concert. How can you find a balance between self-control and devotion?

Landscape Orchestra seeks a musical answer to the question of how we can depict departure, travel, and arrival. The production visits the landscapes that we traverse on our way to different and better places. A series of portraits shows people for whom the world is difficult but not necessarily less poetic.

The legendary opera Einstein on the Beach by Phillip Glass, Robert Wilson and Lucinda Childs premièred at the Festival of Avignon in 1976. For this new concertante version, the Ictus ensemble is joining forces with the Collegium Vocale Ghent and with neo-folk legend Suzanne Vega. The musical composition and the musicality of the libretto are the central focus in a minimalist and hypnotizing soundscape that lasts 200 minutes.

Claire Croizé engages with two of her favourite sources of inspiration: Bach and Rilke. She places both masters in the hands of Matteo Fargion, the British composer and multi-instrumentalist. They have not created slavish interpretations of Bach and Rilke, but rather opted for a playful, somewhat unruly tribute.