Jean Cocteau's masterpiece Les enfants terribles tells the story of Paul and his sister Elisabeth, who nauseatingly challenge each other to with games. In her version, Phia Ménard works with composer Philip Glass' adaptation of the novel. She draws a parallel between the body of an adolescent and that of an elder: both sometimes experience a feeling of isolation, of being cut off from society.

It's extra invites you to stay a little longer in the universe of the performance. After Carte Noir Nommée Désir you're welcome for some food, a care space and a DJ-set!

Each object hides a story and keeps it alive. But what does the immediate presence of that object, which is devoid of meaning and past, mean? In this performance-installation, Azade Shahmiri creates new relationships between objects. In this way she develops her own form of storytelling with objects that move through time and connect us.

The Making of Berlin is the final part of BERLIN's cycle of cities. With live music on stage - and Opera Ballet Vlaanderen’s orchestra on film - BERLIN takes on an exceptional story in documentary style. The performance focuses on an unfinished chapter in the life of an old Berliner - with Wagner's Götterdämmerung in a crucial role and Klara manager and Pompidou inspiration Chantal Pattyn in a supporting role.

Lisaboa Houbrechts writes and stages a family epic that spans three generations, using Bach's St John Passion as a guideline. At the centre is a twelve-year-old girl who has come to the end of a long history and delves into the hidden traumas of the past.