What would hell look like today? The 500th anniversary of the death of Hieronymus Bosch, made Vasco Mendonça, Kris Verdonck and Dimitri Verhulst think. They quickly arrived at the beaches of Lampedusa: a place where while tourists were sunbathing refugees were washed up on the beach. The false paradise of the resorts and the Boschian hell on earth seamlessly flow into each other.

De Warme Winkel aims to compete with the greats, be it the Berliner Volksbühne, Romeo Castellucci or Pina Bausch. And how could it be otherwise than by creating the ultimate version of their own universe? Inimitable, poetic, and suffused with humour, this incredible and urgent apotheosis turns out not to be a swan song, but a magnum opus.

In times of declarations of war, the revival of nationalistic thinking and an excess of extreme, simplistic solutions, the French-Austrian theatre collective Superamas offers fresh points of view. Vive l’Armée ! is a reflection on war, violence, propaganda and nationalism, based on the familiar Superamas recipe – a continuously interlinked mix of storylines.

If it is true that money rules the world, then perhaps time has come for it to account for its acts. It is therefore not in an attempt to bribe a magistrate that Christophe Meierhans is bringing money to court, but on the contrary, in order to offer it a fair trial: Is money itself the culprit for having brought the world to the catastrophic state it is in now, or has it rather been employed to the design of ill-intentionned individuals?