Romance is an invitation to discover the recognition, repulsion and humor that is created when you allow someone else to be your voice. In an intimate setting, Lígia Soares makes us reflect on how we think as individuals within a group by using ordinary sentences to create connections between herself and audience members.  

A rudimentary living room with IKEA furniture turns out to be a hotbed of terrible pain and suffering. This five-hour performance by two actors and a pianist is based on real statistics and court cases related to domestic violence. Without needing dialogue, Markus Öhrn dissects the banality and brutality of domestic violence.

Whether you want to call Magical and Elastic a musical, deconstructed musical or an anti-musical doesn't really matter. Music, choreography, images and language are dependent on each other. This performance is a space where you see to listen and listen to see. Expect a magical performance where a narrative emerges from an image, a choreography is created thanks to the music, and the music starts from the words…

In The Dancing Public, Mette Ingvartsen explores ecstatic movement at social gatherings in the aftermath of a pandemic. Her solo blows up the solitary confinement of 2020 with a mix of unstoppable movements, incessant music, words and chants in infernal tempos and rhythms. The Dancing Public is a dance party, a spoken word concert and an expression of physical madness to the point of exhaustion. What is this extreme need for movement that we feel in our bodies today? Are we ready to taste life to the full again?