July 1968. The legendary Paradise Now by The Living Theatre premieres at the Festival d’Avignon. The actors attempted to unleash a revolution by getting the audience into a state of readiness. Half a century later, Michiel Vandevelde is exploring the vestiges of the legacy of May ’68. Will new future perspectives open up when thirteen young people survey a half century of history in a wild choreography of iconic images?

Jonathan Burrows, dancer and choreographer. Matteo Fargion, musician and composer. Always the two of them… but not this time! They invite four local artists – Mette Edvardsen, Dounia Mahammed, Lili Rampre and Andros Zins-Browne – to address the subject of ‘the possibility and impossibility of community’. The ingredients? 72 clay objects created by the performers, group singing and Indian drone sounds on smartphones.

Trials of Money turns the theatre into a court of justice which does not yet exist. You’re invited to take part in the Special Tribunal for Semi-Human Persons in order to undertake the trial of the thing called ‘money’. The trial is conducted as a collective exercise: while the performers deliver their testimonies, they will respond to any question the audience has. Should money be found guilty, it leaves us with a very problematic question: what could be a just sentence?

La Piscine is a collective project that gathers different artistic practices and works addressed to a single spectator. Going from a walk with the eyes closed, to a conversation, to a bath, a single spectator and one of the artists will tune to each other to draw a singular path into Les Bains du Centre – at the heart of the Marolles.

Cock, Cock… Who's There? is an unsettling and gripping report by a young woman who researches intimacy and violence. Armed with her camera, Samira Elagoz sheds light on the online manipulation of bodies, while cleverly subverting typical gender dynamics on the internet.