With intelligence and humour, Charlotte Vanden Eynde sounds out the visual and expressive potential of the body. Revel in two of her solos in a single evening! In I’m Sorry It’s (Not) A Story she experiments with language, meaning and emotion. Shapeless shifts the focus to form, to chaos, to the intangible.

The pianist and conductor Alain Franco is once again performing the 96 short compositions which together form one of Bach’s chief works: Das wohltemperierte Klavier. Franco masterfully links together the separate parts, which he views as novellas and which each have their own character, dynamic and time.

This – unexpectedly current – rerun from 2008 shows Paris from the perspective of the artist-immigrant. During the 20th century countless people took refuge in the French capital, including many artists and intellectuals. Just as likely, they ended up working as taxi drivers or street cleaners. Christian Bakalov’s depictions of their social exclusion and humiliation urge you to question your own feelings of empathy and solidarity.

Lina Lapelyte uses re-enactment to question everyday life scenarios and glitches. In this performance-concert, she invites four women from a folkloristic orchestra that toured worldwide during the Sovjet-regime – evoking both the contemporary and the timeless.
 

What happens when a voice creates space and this space is filled with movement? ‘S approaches performance as a love relation. Between you, the performer and his materials.