Six black, African or Afro-descendant women dance, sing and proclaim the memory of mixed histories. This emancipation unites them in a world where they will never stop being sovereign, between anger and gentleness. 

[The performance on Sunday at 15:00 was cancelled due to covid. Tickets will be refunded] Anne Teresa De Keersmaeker continues her choreographic journey with the fifteen virtuoso Mystery Sonatas, the best-known compositions by Heinrich Ignaz Franz Biber. These intrinsically religious and narrative sonatas are also a warm invitation to dance, thanks to the musical dance forms such as Gigues, Allemandes and Courantes. De Keersmaeker immersed herself in the mystical and geometrical wealth of this music and made the Sonatas her own in a choreography for six dancers.

For François Chaignaud, the starting point of his new creation is a recurring dream: imagining a community of singers and dancers who cross the boundaries between two disciplines. In this impressive choreography the bodies, like the letters of the title, are separate and united at the same time.

How do you translate the intensity, complexity and physicality of a piece of music into dance? For her new creation Duet for Two String Trios, Claire Croizé teams up with the Goeyvaerts String Trio, looking for answers to these questions through two string trios by the contemporary composer Charles Wuorinen. Dancers Emmi Väisänen and Jason Respilieux offer their bodies as a counterweight to this auditory onslaught. Music and dance circle each other in a play that is as dynamic and changeable as the string trios themselves: never a piece-by-piece translation, always a dialogue.