Seeking a better future for his grandchild, Mister Linh flees from a war-torn country. Koen De Sutter tells the story with all the means he has at his disposal: text, words, images, music, sound, projections... But this is also a play about loneliness, about the desire to communicate with the other and not least with the audience. Are we inside the narrator’s head? Are Mister Linh and Mister Bark voices in his own head?