MOLD isn’t just a performance, it’s also a farm: an environment where all elements interact as living cultures. Drawing on mycology, fashion, fermentation, dance and sculpture – Sara Manente approaches the theatre machine as a multiplicity of bodies. 

Can choreography be used to fill in the gaps in our historical memory? With Akal, Tamazight for Earth, Radouan Mriziga once again focuses on the knowledge of the Imazighen, the indigenous people of North Africa. In this solo, written for Dorothée Munyaneza, he creates an intimate mix of rituals, traditional dance, architecture, storytelling, song, poetry and rap. A fresh look at an oppressed past.

In The Dancing Public, Mette Ingvartsen explores ecstatic movement at social gatherings in the aftermath of a pandemic. Her solo blows up the solitary confinement of 2020 with a mix of unstoppable movements, incessant music, words and chants in infernal tempos and rhythms. The Dancing Public is a dance party, a spoken word concert and an expression of physical madness to the point of exhaustion. What is this extreme need for movement that we feel in our bodies today? Are we ready to taste life to the full again?