WORKING TITLE FESTIVAL — You can’t marry for papers only. If you want to keep a foreign national in the country, you are expected to create what the Belgian government calls 'a sustainable community living’, otherwise the relationship falls into the category of a fictitious marriage. What if two artists got married, without having a romantic affair? 

WORKING TITLE FESTIVAL — Hidden at the basement of workspacebrussels, lies Kosi Hidama’s atelier. Occupying the space over the past few years, his work slowly started invading all the other spaces of the building. With Garden of solid subtleness Kosi will create an interior summer garden with the ceramics he produced at his basement atelier, in combination with subtle sounds. The artist invited his friend Misha Downey to work with him on this pottery landscape.

Blind Spot is a quest to find what scarce traces remain of Epp Kotkas, an Estonian artist who was active in the experimental dance scene of New York in the 60s and 70s. Talve combines fact and fiction to tell the story of an artist who was totally unknown in her home country. What you witness is an essayistic memory that attempts to reconstruct an unrecorded past.

Hiba Alansari found a math book in a destroyed house in northern Syria in 2014. It belonged to a young girl who died during the bombardment. The Math Book is a collection of sculptural forms in cement and sponge, designed to encapsulate the moment of the explosion.

104,5° is the angle formed in a water molecule, between the two hydrogen atoms, and the oxygen atom H-O-H. The Breadth of 104.5° is the umbrella title over an ongoing series of works by the artist, dedicated to exploring the ideas and notions around the essentiality of one of the most, if not the most, important element for the existence of life as we know it.