Ivo Dimchev continues his quest for interaction with you, the audience. He invites you to post Facebook-comments, which a dramaturge turns into dialogues. Not only do you literally supply what the actors are saying, you equally shape their views and opinions. The end result remains impossible to predict!

The Middle Ages does not pose the question of who or what we are, but when we are. When is now? Through an exuberant use of costumes and a rigorous study of movement the performance attempts to assume a place and time in which historical references overlap. Five dancers travel through time and the history of movement.

PERFORMATIK 2015 - In his new production Xavier Le Roy creates three situations that make the relationship between the audience and actors less straightforward. The three parts – a lecture, a performance and a concert – are controlled by the loss of a protagonist. The actors and spectators mourn together and this leads to inventions and strange situations…

PERFORMATIK 2015 - Visual artist Joëlle Tuerlinckx ventures into new territory and creates an ‘all-round show’ in which she draws from her vast archive. A part of that archive – images she uses to ‘theatricalise’ the world – was the basis of her impressive solo exhibition in WIELS.

In the early seventies Franz West created his first adaptives or portable sculptures. Using these sculptures, Ivo Dimchev created the solo I-on, followed by the group performance X-on, for which West made new, bigger adaptives. The bodies of the performers and the art objects enter into a unique relationship.