Carte Noire Nommée Désir starts with a funny story about colour and colonialism. That marks the beginning of a poetic journey on stage by a group of eight performers. They appropriate their own history as black women, in a country that has yet to decolonise its own imagination.
FC Bergman is recreating the majestic Rubens room at the Museum of Fine Arts in Antwerp, which is currently closed for renovation. Het land Nod is both comical and melancholy, a sequence of powerful images inspired by the French cinema.
