A bent back, speaking but there is no mouth. Arms doing their own thing. In his solo debut, Milø Slayers explores the boundary between man and monster. Hip-hop and abstract contemporary dance melt together under a play of light that constantly distorts the familiar human relationships. 

In seeking to disidentify the masculine, Gérald Kurdian met flamboyant individuals who seemingly were reinventing the political through the care of the intimate. In X!, Kurdian sketches a portrait of current militant cultures and creates a choral manifesto for a sensitive revolution.

Romance is an invitation to discover the recognition, repulsion and humor that is created when you allow someone else to be your voice. In an intimate setting, Lígia Soares makes us reflect on how we think as individuals within a group by using ordinary sentences to create connections between herself and audience members.  

MOLD isn’t just a performance, it’s also a farm: an environment where all elements interact as living cultures. Drawing on mycology, fashion, fermentation, dance and sculpture – Sara Manente approaches the theatre machine as a multiplicity of bodies. 

The performance is over, the lights come on. The audience begins to applaud. The dancer returns to the stage and greets the audience. What exactly happens at such a moment? To highlight this particular theatrical code, Latifa Laâbissi puts herself in the shoes of a paradoxical figure. In this end without end, which repeatedly performs a different variation of the same greeting, stories intertwine and memories emerge.