A group of twelve performers explores the mystery of pleasure. In a long, sensual movement bodies touch, test, and lose their borders. They vibrate, entering into contact and  composition with their environment, forming unexpected constellations. Mette Ingvartsen looks seven concepts of pleasure straight in the eye.

Six performers, a drummer, a pianist and a bass player find themselves in a subterranean refuge. Enter a world of desire and illusion, both nightclub and arena. The 21 November show was cancelled due to the threat level being raised in Brussels.

Choreographer Laurent Chétouane tackles an iconic work: Bach’s St John Passion. He is not interested in a perfect execution of the music and doesn’t allow his dancers to ‘portray’ the Passion. Will Bach still move you without the security of a set choreography, trained singers and only seven instruments? What happens when Bach’s music is desecrated?

Five performers travel through the history of the dance – and possibly into its future. Time and time again they enter an impressive new world. Their constant effort to stay upright reveals inherent vulnerability. In Built to Last Meg Stuart works for the first time with existing classical music.

For his Sacré Sacre du Printemps, Laurent Chétouane has chosen one of the most influential works in the history of modern dance. Unlike Maurice Béjart and Pina Bausch, he shifts the topic of ritual spring sacrifice to a sacrifice of Le sacre du printemps itself. He asks himself why we as a community wish to assimilate the foreign.