If we continue to consume more language more quickly and superficially, will we still be able to use language instinctively and emotionally? PRICE is appealing to movement and music to answer this question. Along with producer Cecile Believ, pianist Sebastian Hirsig, fashion label BARRAGÁN and photographer Mirjam Graf, he will captivate you with his body and voice. You stand next to him on stage, while the soundtrack of heavenly ambient will flow to dark tribal – and back again.

Bryana Fritz takes the position of an amateur hagiographer. In four different portraits, she makes a performative collage based on female medieval saints and the modes by which they subverted their enclosed and restricted lives, deaths and passions. Submitting her physical and digital body to holy echoes from the past, she dissects and harnesses the tools that give body. 

ROEL VERNIERS PRICE – In the new productionThe Great Downhill Journey of Little Tommy, by Boris Van Severen and Jonas Vermeulen heir self-composed soundtrack is not played by a rock band, but is brought to life in two DJ booths that compete in sampling live music, and quotes in neon. An electro-opera, if you like, inspired by The Up Series on the BBC..

CIRCUIT X  – On an empty stage, Dounia Mahammed uses language as a medium in which to philosophize, dream, draw, hesitate and question on stage. Salut Copain swings from wonder to despair.

How should we deal with the universal human urge to be part of a greater whole? In a stylized, atomic universe, Frank&Robbert discover the laws of duality, beauty, and magnetism.