The four editions of TiNWwP aim to connect bodies, minds, and souls and to collectivize the experience of our emotions; our anger, fear, grief, and joy. After collectively connecting to anger and fear previously, this Spring edition will be about GRIEF. What causes our grief? How could we be with our grief together? 

The Circle of Grieving Voices is an invitation by the artists Aziza François et Hoda Siahtiri to a collective practice of grief to find your grieving voice(s).

In a private time slot Barbara will look with you into the grief of the unborn, in the literal or more symbolic sense; non-parenting, an abortion, grief over your inner child or your childhood, etc.

Soundscapes: Deliciously g_r_i_e_v_i_n_g offers a cosy sound space in which you can tap into your grief. Put on your comfy clothes, sink into some cushions and taste your feelings.

The four editions of TiNWwP aim to connect bodies, minds, and souls and to collectivize the experience of our emotions; our anger, fear, grief, and joy. After collectively connecting to anger and fear previously, this Spring edition will be about GRIEF. What causes our grief? How could we be with our grief together? 

In Delfina: Almost there! two masked characters are inside a birthday party decor. The performance displays a strange mix of dance and clown inside a fragmented, gloomy and sometimes grotesque narrative.

A film-dance-performance that dives into the life, work and psychosis of legendary choreographer Vaslav Nijinski, who found great success in Paris with the Ballets Russes in the early 20th century. A decade later, Nijinski writes a diary, containing texts that testify to an incipient psychosis that will later turn into schizophrenia. In FLY true facts are merging with imaginary ones in a dreamful and experimental way. 

Every year, workspacebrussels organises an Open Studios trail. Artists in residence open the doors of their studios and engage in dialogue with an audience. This year, Open Studios takes place at four locations across the city and there you can get to know a wide range of artistic talent each time.

In this intimate and humorous video work, Elien looks at forms of care that occur in everyday relationships.

For Licht, Tea Tupajić uses the power of theatre to reach a place where language and other media cannot get to. For a year, she invited four Yezidi women to retreat together and undertake the journey towards performance.

Tg STAN once again delves into the oeuvre of Iranian filmmaker Asghar Farhadi. With a group of eleven actors which includes different generations of creators and actors as well as different nationalities, Tg STAN creates a performance about doubt, friendship, honour and responsibility. Which truth is true and for whom? Is the truth really that relevant? Or can a lie bring salvation?

Every year, workspacebrussels organises an Open Studios trail. Artists in residence open the doors of their studios and engage in dialogue with an audience. This year, Open Studios takes place at four locations across the city and there you can get to know a wide range of artistic talent each time.

In this intimate and humorous video work, Elien looks at forms of care that occur in everyday relationships.

In their durational live project Basically, Nikima Jagudajev harnesses the choreography of play to draw visitors into the intermediary spaces of WIELS.

Accompanied by Elodie Mugrefya, caterina and guests will put into perspective the questions addressed in both the workshop and programme, such as: What are the conflicts embodied in our practices? And how do we deal with them?

Tg STAN once again delves into the oeuvre of Iranian filmmaker Asghar Farhadi. With a group of eleven actors which includes different generations of creators and actors as well as different nationalities, Tg STAN creates a performance about doubt, friendship, honour and responsibility. Which truth is true and for whom? Is the truth really that relevant? Or can a lie bring salvation?

In their durational live project Basically, Nikima Jagudajev harnesses the choreography of play to draw visitors into the intermediary spaces of WIELS.

Every year, workspacebrussels organises an Open Studios trail. Artists in residence open the doors of their studios and engage in dialogue with an audience. This year, Open Studios takes place at four locations across the city and there you can get to know a wide range of artistic talent each time.

In this intimate and humorous video work, Elien looks at forms of care that occur in everyday relationships.

In Grinding the wind, Dina Mimi tries to fill in the missing parts in the story of her Palestinian great-grandfather who underwent medical tests and heart surgery. Fascinated by the performative nature of the operation, Mimi sets off on a journey through archives, oral histories, dreams and books. 

In Forest Silent Gathering verzamelt een kleine groep toeschouwers zich bij zonsondergang midden in een bos, en volgt een soundtrack via een koptelefoon. Er wordt een audio-sociale setting gecreëerd, die het mogelijk maakt om ‘samen alleen’ te zijn.

In Grinding the wind, Dina Mimi tries to fill in the missing parts in the story of her Palestinian great-grandfather who underwent medical tests and heart surgery. Fascinated by the performative nature of the operation, Mimi sets off on a journey through archives, oral histories, dreams and books. 

In Forest Silent Gathering verzamelt een kleine groep toeschouwers zich bij zonsondergang midden in een bos, en volgt een soundtrack via een koptelefoon. Er wordt een audio-sociale setting gecreëerd, die het mogelijk maakt om ‘samen alleen’ te zijn.

In Forest Silent Gathering verzamelt een kleine groep toeschouwers zich bij zonsondergang midden in een bos, en volgt een soundtrack via een koptelefoon. Er wordt een audio-sociale setting gecreëerd, die het mogelijk maakt om ‘samen alleen’ te zijn.

‘Nkisi’ means medicine, remedy and witchcraft in Lingala, the mother tongue of dancer and choreographer Jolie Ngemi. This solo performance takes us on a trance-like journey and explores the magical forces between witchcraft and science fiction.

‘Nkisi’ means medicine, remedy and witchcraft in Lingala, the mother tongue of dancer and choreographer Jolie Ngemi. This solo performance takes us on a trance-like journey and explores the magical forces between witchcraft and science fiction.

In Forest Silent Gathering verzamelt een kleine groep toeschouwers zich bij zonsondergang midden in een bos, en volgt een soundtrack via een koptelefoon. Er wordt een audio-sociale setting gecreëerd, die het mogelijk maakt om ‘samen alleen’ te zijn.